The Stag and the Hound
oil on canvas
50 x 80”
2009
oil on canvas
40 x 60”
2007
oil on canvas
60 × 90”
2011
oil on canvas
60 × 90"
1990
oil on canvas
60 x 90”
1978
Collection of Mr. & Mrs. Al Roth
oil on canvas
40 × 60”
1990
oil on canas
70 x 135”
1991
Private Collection
oil on canvas
36 × 36”
2005
oil on canvas
42 x 38”
2003
oil on canvas
50 × 80”
1995
Christmas Lights and Mirror Ball
oil on canvas
60 x 49”
2011
oil on canvas
70 x 135”
2008
Private Collection
oil on canvas
60 × 90”
1985
oil on canvas
55 × 85”
1986
oil on canvas
60 x 90”
1981
“Although through the years I had painted the same objects and the same cloths in different combinations, it had never seemed to me to be repetitive. It was characteristic of abstract painters to use the same elements of design over and over, exploring changes of color, and the resulting changes of space. It appeared that the variety in the work of any abstract artist had more to do with what I have called painting than it did with the image. This simplicity of form was never questioned in abstraction, and I accepted simplicity of form in paintingin still life.” Harriet Shorr, The Artist’s Eye: A Perceptual Way of Painting.
oil on canvas
40” x 60”
1996
oil on canvas
50 × 80”
2002
Returning
oil on canvas
40 x 60”
2001
oil on canvas
60 × 90”
2006
Private Collection
oil on canvas
40 x 50”
1993
oil on canvas
54 x 60”
2010
Sailing Away
oil on canvas
60 x 50”
2007
Private Collection
oil on canvas
66 × 46”
1990
oil on canvas
72 x 46”
2008
oil on canvas
60 × 50”
2004
oil on canvas
36 × 36”
2006
Black Hollyhocks
oil on canvas
60 x 50”
2001
oil on canvas
60 × 50”
1994
oil on canvas
40 x 60”
2007
collection of Ruth Baguskas
oil on canvas
66 × 56
1991
oil on canvas
70 x 60"
2000
oil on canvas
60 × 40”
1989
“A bright cloth throws color up into the darker surfaces of reflecting objects, creating hues that are subtle mixtures of the color of the object and the color of the cloth.”
Harriet Shorr
oil on canvas
50” x 40”
1987
oil on canvas
60 × 90”
1987
oil on canvas
30 x 40”
1991
Collection of Swarthmore College
oil on canvas
60 × 90”
1982
oil on canvas
60 × 90”
1982
oil on canvas
60” x 90”
1984
oil on canvas
70” x 50”
1997
oil on canvas
38 x 25”
1993
oil on canvas
60 x 60”
1995
oil on canvas
1972
oil on canvas
60” x 64”
1977
Collection of Anne Bradley et fils
oil on canvas
60” x 60”
1983
oil on canvas
60” x 50”
1976
collection of Jan Woodruff
After Morandi
oil on canvas
30 x 32”
2009
Red Fantasy
oil on canvas
60 x 90”
1982
oil on canvas
60 x 40”
1999
oil on canvas
60 × 90”
1982
“Certain subject matter posed a complicated technical challenge. If I was not satisfied with the way it had been represented, I painted it again. Such a subject was a string of Christmas lights. The first time I painted them I set them on a pale-colored ground. The lights were on, but the daylight was falling on the tablecloth, and although I painted the colors and values as faithfully as I could, I was not satisfied with the results. A year later I painted the same lights, this time in the late afternoon and on a dark purple ground. The result was much more satisfying and convincing.” Harriet Shorr, The Artist’s Eye: A Perceptual Way of Painting.
oil on canvas
30” x 40”
1967-68
collection of Emily McCully
oil on canvas
60 x 90”
1978
Collection of Brooke & Malcolm Travelstead
oil on canvas
60 x 50”
1999
Collection of Patrick & Maureen Dore
oil on cavnas
21” x 18”
2008
private collection
one of the last paintings Shorr made
NFS
oil on canvas
50” x 50”
1970
The Stag and the Hound
oil on canvas
50 x 80”
2009
oil on canvas
40 x 60”
2007
oil on canvas
60 × 90”
2011
oil on canvas
60 × 90"
1990
oil on canvas
60 x 90”
1978
Collection of Mr. & Mrs. Al Roth
oil on canvas
40 × 60”
1990
oil on canas
70 x 135”
1991
Private Collection
oil on canvas
36 × 36”
2005
oil on canvas
42 x 38”
2003
oil on canvas
50 × 80”
1995
Christmas Lights and Mirror Ball
oil on canvas
60 x 49”
2011
oil on canvas
70 x 135”
2008
Private Collection
oil on canvas
60 × 90”
1985
oil on canvas
55 × 85”
1986
oil on canvas
60 x 90”
1981
“Although through the years I had painted the same objects and the same cloths in different combinations, it had never seemed to me to be repetitive. It was characteristic of abstract painters to use the same elements of design over and over, exploring changes of color, and the resulting changes of space. It appeared that the variety in the work of any abstract artist had more to do with what I have called painting than it did with the image. This simplicity of form was never questioned in abstraction, and I accepted simplicity of form in paintingin still life.” Harriet Shorr, The Artist’s Eye: A Perceptual Way of Painting.
oil on canvas
40” x 60”
1996
oil on canvas
50 × 80”
2002
Returning
oil on canvas
40 x 60”
2001
oil on canvas
60 × 90”
2006
Private Collection
oil on canvas
40 x 50”
1993
oil on canvas
54 x 60”
2010
Sailing Away
oil on canvas
60 x 50”
2007
Private Collection
oil on canvas
66 × 46”
1990
oil on canvas
72 x 46”
2008
oil on canvas
60 × 50”
2004
oil on canvas
36 × 36”
2006
Black Hollyhocks
oil on canvas
60 x 50”
2001
oil on canvas
60 × 50”
1994
oil on canvas
40 x 60”
2007
collection of Ruth Baguskas
oil on canvas
66 × 56
1991
oil on canvas
70 x 60"
2000
oil on canvas
60 × 40”
1989
“A bright cloth throws color up into the darker surfaces of reflecting objects, creating hues that are subtle mixtures of the color of the object and the color of the cloth.”
Harriet Shorr
oil on canvas
50” x 40”
1987
oil on canvas
60 × 90”
1987
oil on canvas
30 x 40”
1991
Collection of Swarthmore College
oil on canvas
60 × 90”
1982
oil on canvas
60 × 90”
1982
oil on canvas
60” x 90”
1984
oil on canvas
70” x 50”
1997
oil on canvas
38 x 25”
1993
oil on canvas
60 x 60”
1995
oil on canvas
1972
oil on canvas
60” x 64”
1977
Collection of Anne Bradley et fils
oil on canvas
60” x 60”
1983
oil on canvas
60” x 50”
1976
collection of Jan Woodruff
After Morandi
oil on canvas
30 x 32”
2009
Red Fantasy
oil on canvas
60 x 90”
1982
oil on canvas
60 x 40”
1999
oil on canvas
60 × 90”
1982
“Certain subject matter posed a complicated technical challenge. If I was not satisfied with the way it had been represented, I painted it again. Such a subject was a string of Christmas lights. The first time I painted them I set them on a pale-colored ground. The lights were on, but the daylight was falling on the tablecloth, and although I painted the colors and values as faithfully as I could, I was not satisfied with the results. A year later I painted the same lights, this time in the late afternoon and on a dark purple ground. The result was much more satisfying and convincing.” Harriet Shorr, The Artist’s Eye: A Perceptual Way of Painting.
oil on canvas
30” x 40”
1967-68
collection of Emily McCully
oil on canvas
60 x 90”
1978
Collection of Brooke & Malcolm Travelstead
oil on canvas
60 x 50”
1999
Collection of Patrick & Maureen Dore
oil on cavnas
21” x 18”
2008
private collection
one of the last paintings Shorr made
NFS
oil on canvas
50” x 50”
1970